Regina Coeli

V. Regina coeli, laetare, alleluia.

R. Quia quem meruisti portare, alleluia.

V. Resurrexit, sicut dixit, alleluia.

R. Ora pro nobis Deum, alleluia.

V. Gaude et laetare, Virgo Maria, alleluia.

R. Quia surrexit Dominus vere, alleluia.

Oremus.

Deus, qui per resurrectionem Filii tui, Domini nostri Iesu Christi, mundum laetificare dignatus es: praesta, quaesumus; ut per eius Genetricem Virginem Mariam, perpetuae capiamus gaudia vitae. Per eundem Christum Dominum nostrum. Amen.

 

Queen of Heaven

V. Queen of Heaven, rejoice, alleluia.

R. For He whom you did merit to bear, alleluia.

V. Has risen, as he said, alleluia.

R. Pray for us to God, alleluia.

V. Rejoice and be glad, O Virgin Mary, alleluia.

R. For the Lord has truly risen, alleluia.

Let us pray.

O God, who gave joy to the world through the resurrection of Thy Son, our Lord Jesus Christ, grant we beseech Thee, that through the intercession of the Virgin Mary, His Mother, we may obtain the joys of everlasting life. Through the same Christ our Lord. Amen.

 

Below are images and a PDF that can be download for your personal use.

For use as wallpaper on your phone.

Below is an abbreviated explanation about this Marian hymn from The Catholic Encyclopedia.

 

The opening words of the Eastertide anthem of the Blessed Virgin, the recitation of which is prescribed in the Roman Breviary from Compline of Holy Saturday until None of the Saturday after Pentecost inclusively. In choro, the anthem is to be sung standing. 

 

The authorship of the Regina Coeli being unknown, legend says the St. Gregory the Great (d. 604) heard the first three lines chanted by angels on a certain Easter morning in Rome while he walked barefoot in a great religious procession and that the saint thereupon added the fourth line: “Ora pro nobis Deum. Alleluia.” The authorship has also been ascribed to Gregory V, but without good reason. The beautiful plainsong melodies (a simple and an ornate form) are variously given in the Ratisbon antiphonary and in the Solesmes Liber Usualis of 1908, the ornate form in the latter work, with rhythmical signs added, being very attractive. The official or “typical” melody will be found (p. 126) in the Vatican Antiphonary (1911). Only one form of melody is given. The different syllabic lengths of the lines make the anthem difficult to translate with fidelity into English verse. The anthem has often been treated musically by both polyphonic and modern composers.

 

Here are some suggested links of musical variations available on YouTube:

• Gregorian chant: simple tone
• Giovanni Antonio Rigatti (1613-1648); Motetti a voce sola
• Wolfgang Amadeus Mozart (1756-1791); K. 276
• Gregorian chant: solemn tone
• Marc-Antoine Charpentier (1643-1704); H.32
• Michel Richard de Lalande (1647-1726); S53
• Wolfgang Amadeus Mozart; KV 108